Premchand and his Eidgah

A four-year-old orphan, Hamid was living with his grandmother, Amina, who was barely able to provide him with two square meals a day. His parents were no more, but Amina had told him that his father had left them to earn money, while his mother had gone to Allah to fetch gifts for him.

On the day of Eid, Hamid was also excited like all other children of his age in the neighbourhood. While all were heading to the Eidgah for prayers, children were more excited about the fair to buy sweets and toys. His friends were enjoying themselves with sweets, toys and rides, but not Hamid.

Hamid was also tempted seeing those sweets, rides and toys, but he had only three paise as Eidi. But he didn’t give in. Instead he went to a hardware shop and bought a chimta (a pair of tongs) for his grandmother, who often burnt her hands in the flames while cooking rotis. His granny burst into tears when she came to know about his selflessness.

This simple, poignant and heart-touching story “Idgah” of a little boy’s love for his old grandmother is just one of the several stories and novels written by none other than Munshi Premchand. Hindi literature is incomplete without his mention.

Munshi Premchand was a simple man, whose simplicity, rawness and realism are reflected in his serious stories depicting human emotions and the conditions prevailing in the society at that time. I had read his several stories and novels during my school days. Some of these were parts of my curriculum. It gives a different experience altogether while reading any one from his treasure trove.

Dhanpat Rai Srivastava, who used his pen name first Nawab Rai and then Premchand, was born in Lamhi village of Varanasi in 1880. He studied at Queen’s College, but couldn’t continue his studies after matriculation and started tutoring for a meagre sum, as he faced severe financial difficulties. He married a child widow in 1906. It was considered a revolutionary step at that time. His own story is quite inspiring.

He wrote over 300 short stories including Kafan, Panch Parmeshwar and Shatranj ke Khiladi, and 14 novels including Godan (The Gift of a Cow), Gaban (Embezzlement) and Nirmala.
He also wrote plays, essays, film script and satires against the British Government apart from translating some English titles.

But his work was not appreciated much outside India, as good translations of his work were not made available. He lacked the wherewithal to study or travel abroad.

His life was simple and rough. This is the photograph of Munshi Premchand ji with his wife, in which he was wearing old torn shoes. Seeing this photo, a Hindi litterateur, Harishankar Parsai wrote one article, in which he said,

“I wonder if this is his dress for photo, how will it be for everyday wear! No, this man will not have different outfits. He doesn’t have the quality to change clothes. He is photographed as he is. His outfits cannot change, because he has touched the hearts of the millions of people of India. Behind his simple dress, there is also a tribute to an epic like Godan.”

Premchand believed, “Beauty doesn’t need ornaments, as it can’t bear the weight of ornaments.”

–Kaushal Kishore

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